Earlier Work
Wernquist early short film “Wanderers” explored many of the same themes about humanities nature to explore and experance, built around beautiful images of space and the cosmos and narration built around an expert from Carl Sagan ‘s “Pale Blue Dot.”
Wernquist described the film as:
Technology can be wonderful. But how do you keep track of yourself when technology allows you to be everywhere at once?
In this film Prof. Yair Amichai-Hamburger (director of the Research Center for Internet Psychology at the Sammy Ofer School of Communications) argues that even though technology allows us to reach out and connect more easily than ever before, if we don’t ever take a step back, we can lose track of our humanity in the process.
Self-driving cars are pretty cool. Really, who wouldn’t want to spend their daily commute surfing social media, chatting with friends or finishing the Netflix series they were watching at 4 am the night before? It all sounds virtually utopian. But what if there is a dark side to self-driving cars? What if self-driving cars kill the jobs? ALL the jobs?
In this video series, the Galactic Public Archives takes bite-sized looks at a variety of terms, technologies, and ideas that are likely to be prominent in the future. Terms are regularly changing and being redefined with the passing of time. With constant breakthroughs and the development of new technology and other resources, we seek to define what these things are and how they will impact our future.
This is the oldest and largest art magazine by circulation in the world. For the first time, it has #transhumanism in its search engines. A main task of mine all these years has been spreading that word and concept. My talk at #Moogfest on the Immortality Bus is covered a bit in this story.
L ast month, as bidding was underway at Sotheby’s for what would prove to be a stratospheric Jean-Michel Basquiat sale, Lonnie Holley, a 67-year-old artist who was born in Birmingham, Alabama, and has worked for decades in various folksy and homegrown modes, was preparing to take the stage at a sports bar in Durham, North Carolina. He was sitting at a table in the back, in a place that stank of burgers and beer. An audience of a few dozen had convened for the occasion, though it was hard to distinguish between Holley fans and regular denizens of the Bullpen, a joint next door to the stadium for the beloved local minor-league baseball team, the Durham Bulls. Night-game lights were bright outside. Televisions above the bar showed the Bulls making easy work of the Gwinnett Braves, in town for a weekend series from Georgia. The air was thick and languid in the way it tends to be on a deep, hot Southern summer night.
Holley is a hero to some: as an artist, he has made formidable paintings and sculptures that have been collected by the Souls Grow Deep Foundation and exhibited by museums and institutions all over, and as a musician, he has forged an unforgettable sound with a stirring voice and stewing electronics. For all his accomplishments, though, Holley remains underappreciated—certainly not as known in the worlds of either art or music as he should be.
So first came an introduction. Tim Duffy, the founder of Music Maker Relief Foundation, an organization devoted to preserving musical traditions of the South, took to a microphone and lavished Holley with praise, running down a list of laurels and markers of a legacy still in the making. “Thumbs up for Mother Universe,” Duffy said, thankful for the cosmic conception of an artist he clearly revered.
Official video for Afrojack & David Guetta ft. Ester Dean – Another Life.
Download or stream Another Life here: https://Afrojack.lnk.to/AnotherLIfe
Directed by sanghon kim produced by division
Website: http://www.afrojack.com
Facebook: http://www.facebook.com/djafrojack
Twitter: http://www.twitter.com/afrojack
VEVO: http://www.vevo.com/artist/afrojack
Soundcloud: http://www.soundcloud.com/afrojack
Instagram: http://www.instagram.com/afrojack
Snapchat: https://www.snapchat.com/add/Afrojack
℗ & © 2017 Wall Recordings, under exclusive license to Universal Music B.V./Republic, UMG Recordings Inc.
http://vevo.ly/XFMvJx
Shimon—a four-armed marimba playing robot—has been around for years, but its developers at Georgia Tech have recently taken this futuristic musical machine to the next level. Using deep learning, the robot can now study large datasets from well-known musicians, and then produce and perform its own original compositions.
Shimon was originally developed by Gil Weinberg, director of Georgia Tech’s Center for Music Technology. Under its original programming, the robot was capable of improvising music as it played alongside human performers, using an “interestingness” algorithm to make sure it wasn’t just copying its bandmates. But now, thanks to the efforts of Ph.D. student Mason Bretan, Shimon has become an accomplished composer, capable of autonomously generating the melodic and harmonic structure of a song. And you know what? Shimon’s songs are actually quite good!
The recent efforts to remove Net Neutrality have given many a sense of impending doom we are soon to face. What happens to an Internet without Net Neutrality? Advocates have a vision of the possible results — and it is quite the nightmare! In this segment of Future A to Z, The Galactic Public Archives takes a cheeky, yet compelling perspective on the issue.
“A hackathon (also known as a hack day, hackfest or codefest) is a design sprint-like event in which computer programmers and others involved in software development, including graphic designers, interface designers, project managers, and others, often including subject-matter-experts, collaborate intensively on software projects. Occasionally, there is a hardware component as well. Hackathons typically last between a day and a week. Some hackathons are intended simply for educational or social purposes, although in many cases the goal is to create usable software.” https://en.wikipedia.org/wiki/Hackathon
In February 2014, Dr. Brian May, astrophysicist and famed guitarist for the rock band QUEEN, began working with Grigorij Richters, the director of a new film titled 51 Degrees North, a fictional story of an asteroid impact on London and the resulting human condition. May composed the music for the film and suggested that Richters preview it at Starmus, an event organized by Dr. Garik Israelian and attended by esteemed astrophysicists, scientists and artists, including Dr. Stephen Hawking, Richard Dawkins and Rick Wakeman. The result was the beginning of discussions that would lead to the launch of Asteroid Day in 2015. See : https://asteroidday.org/
I’m speaking at Moogfest at 4:30PM a week from today. Can’t Wait! KurzweilAI doing a write-up on the festival below (including a bit on my talk):
The Moogfest four-day festival in Durham, North Carolina next weekend (May 18 — 21) explores the future of technology, art, and music. Here are some of the sessions that may be especially interesting to KurzweilAI readers. Full #Moogfest2017 Program Lineup.
The Magenta by Google Brain team will bring its work to life through an interactive demo plus workshops on the creation of art and music through artificial intelligence.
Magenta is a Google Brain project to ask and answer the questions, “Can we use machine learning to create compelling art and music? If so, how? If not, why not?” It’s first a research project to advance the state-of-the art and creativity in music, video, image and text generation and secondly, Magenta is building a community of artists, coders, and machine learning researchers.
The interactive demo will go through a improvisation along with the machine learning models, much like the Al Jam Session. The workshop will cover how to use the open source library to build and train models and interact with them via MIDI.
